It’s not often that you can see a classic band from the 60s or 70s with more than one original member. A notable exception are The Rolling Stones with original members Keith Richards, Mick Jagger, and Charlie Watts lasting from 1963 through 2021 until Charlie passed away. Add Ronnie Wood in 1975 until now, and that’s a group with history, legacy, legitimacy, and longevity.
So, it was with some excitement that I saw The Tubes from the mid-70s coming to my little hometown theater advertised with 3 original members including wacky frontman Fee Waybill, known for his many wild costume changes during a concert. That’s how their extended tour that appears to have started in 2022 was touted. Sadly, along the way, one of the three original members passed away. Down to 2, but quite a duo, Fee Waybill and Roger Steen, writer of their cheeky song “White Punks on Dope.”
I was all in to see The Tubes. Please note that I didn’t say I bought a ticket. Not many others did either. I was convinced the theater had done a ticket giveaway as they sometimes do to at least get sales of their concessions, and that I had missed the email for the free tix. I went to the box office and mentioned that I heard (from me talking to myself) that they were giving away free tickets to fill seats. Uh, no. But as long as I was there, they gave me a free ticket. I was encouraged to sit anywhere I wanted. Open seats were plentiful.
I arrived just in time to hear “Sushi Girl,” a very 80ish tune and favorite of mine. That was kind of the highlight of the show. For me, it was downhill from there. I don’t want to disparage Fee, Roger, and the other new Tubes band members. They are still out on the road touring and living the rock & roll dream. Good for them. But Fee as the frontman is 73, looks 83, and moves around like he’s 93. It was hard to watch at times. At least he brought his “nurse” to assist him with his costume changes.

Can someone please help The Tubes change the digital graphic projected onto the screen to reflect a 2023 tour rather than 2022. Aren’t digital graphics free?
And about those costumes? At the end of “Wild Women of Wongo,” Fee had stripped down to this.
Continue reading “A Musical Tale of Stones, Tubes, & More Stones”






